1961 contd...

Léon Morin, prêtre (French: Léon Morin, prêtre)

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Léon Morin, Priest (French: Léon Morin, prêtre),[1] is a 1961 film directed and scripted by Jean-Pierre Melville, and starring Jean-Paul Belmondo and Emmanuelle Riva. Belmondo was nominated for a BAFTA Award for Best Foreign Actor. It is based on the 1952 Prix Goncourt-winning novel The Passionate Heart (French: Léon Morin, prêtre) by Béatrix Beck.

Plot
In a small French town during the Occupation, Barny (Riva)[2] is a young, wayward, sexually frustrated widow, living with her little girl. She is also a communist militant who long ago decided that the easiest way was the best. One day she enters a church, randomly chooses a priest (Belmondo)[3] to confess to and, while in confessional, attempts to provoke him by criticizing Catholicism. Instead of being affronted, the priest engages her in an intellectual discussion regarding religion. The priest is Leon Morin, young, handsome, smart and altruistic. He invites Barny to continue the conversation outside of confessional. She begins regularly seeing him and is impressed by his moral strength, while he makes it his mission to steer her onto the right path.
Directed by Jean-Pierre Melville
Produced by Georges de Beauregard
Carlo Ponti
Written by Béatrix Beck novel
Jean-Pierre Melville
Starring

Jean-Paul Belmondo

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Emmanuelle Riva
Irène Tunc
Music by Martial Solal
Cinematography Henri Decaë
Editing by Jacqueline Meppiel
Nadine Trintignant
Marie-Josèphe Yoyotte
Release date(s) 22 September 1961
Running time 117 min.
Language French

Information Source: wiki

Trailer of the film:

1961 contd....

RETURN TO PEYTON PLACE

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http://www.movieposter.com/posters/a...n/54/MPW-27311

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Brief Synopsis
Young Allison MacKenzie, who is called to New York for the final editing of her first novel (a thinly disguised case history of the residents of her hometown of Peyton Place), falls in love with her publisher, Lewis Jackman, an older married man. When the novel is published, many townspeople are outraged, particularly Roberta Carter, a domineering and snobbish woman determined to wreck her son Ted's marriage to his Italian-born wife, Raffaella. Hounded by her lurid past, Selena Cross is unable to face her lover, ski instructor Lars Hedlom. Allison's mother, Connie, shocked by her daughter's exposé of the town's citizens, becomes enraged when her husband, school principal Mike Rossi, is fired because he refuses to remove the novel from the school library. Meanwhile, Roberta has finally succeeded in driving her daughter-in-law out of the house. Emotionally upset, Raffaella races to the ski slopes and nearly causes herself to have a miscarriage. Events come to a head when a town meeting is called to discuss Rossi's defense of the controversial novel. Allison and Lewis are present when Connie publicly stands by her daughter and denounces Roberta Carter as a hypocritical bigot. The crisis over, Mike is reinstated at the school, Selena is reunited with Lars, and Ted is reconciled with Raffaella when he finally stands up to his mother. A more mature and wiser Allison realizes that she could never find true happiness by destroying Lewis' marriage.

Cast & Crew

Jose Ferrer - Director
Carol Lynley -Allison MacKenzie
Jeff Chandler - Lewis Jackman
Eleanor Parker - Connie
Mary Astor - Roberta Carter
Robert Sterling - Mike Rossi
Luciana Paluzzi - Raffaella
Tuesday Weld - Selena Cross
Brett Halsey - Ted Carter
Gunnar Hellström - Lars
Kenneth MacDonald - Dexter
Joan Banks - Mrs. Humphries
Emerson Treacy - Bud Humphries

Charles G. Clarke - Director of Photography
Ronald Alexander - Screenwriter
David Bretherton - Film Editor
Franz Waxman - Music
Leonid Raab - Orchestration
Franz Waxman - Composer
Paul Francis Webster - Composer
Jack Martin Smith - Art Director
Hans Peters- Art Director
Ben Nye- Makeup
Helen Turpin- Hairstyles
Don Feld - Costume Design
Walter M. Scott- Set Decoration
Fred MacLean- Set Decoration
Bernard Freericks- Sound
Warren B. Delaplain- Sound


original release: 5 May 1961

Information source:

1961 contd...

Alias Gardelito

http://2.bp.blogspot.com/_rimb0nXzjd...elito+tapa.jpg

Information source: wiki

Synopsis:

The drama directed by Lautaro Murua is about the difficulty of living an honest life in the face of an unrelenting poverty. The title of this story is taken from the name of the great Argentine singer Carlos Gardel, the idol of the antihero Toribio portrayed by Alberto Argibay. Toribio's goal in life is to emulate the famous singer and making his own way successfully in the music business. Yet at the same time, he does not stop his illegal means of making ends meet, stealing and petty thievery. Discouraged when his big break never quite materializes, Toribio heads for disaster when he joins up with a large smuggling scheme. Cast:

Alberto Argibay .... Toribio Torres, alias "Gardelito"
Walter Vidarte .... Picayo, a friend
Lautaro Murúa .... Boss
Virginia Lago ... Girl, Toribio's neighbor
Nora Palmer .... Margot
Tonia Carrero ... Pilar
Raúl Parini ... Feasini
Raúl del Valle ... Julián
Orlando Sacha ... Leoncio
Nelly Tesolín
Héctor Pellegrini
Directed by Lautaro Murúa
Produced by Leo KanafMusic by Waldo de los Ríos
Cinematography Oscar Melli
Editing by Vicente Castagno
Distributed by Rio Negro Productions
Release date(s) 1961
Running time 90 minutes
Country Argentina
Language Spanish
Written by Bernardo Kordon
Augusto Roa Bastos

Overview

A representative of the "new cinemas" that arose in the late 50s and early 60s, Murúa's Alias Gardelito ranks among the best of Argentine cinema in the period, along with films by Simón Feldman, David José Kohon, Rodolfo Kuhn, Manuel Antín, René Mugica. According to Paulo Antonio Paranaguá (O cinema na América Latina), in these works the characters' psychology takes the upper hand upon social themes, although usually the latter also provide a significant context for their action, as is the case here.

http://upload.wikimedia.org/wikipedi...Gardelito1.jpg
One of the major themes of the film is based around poverty and street crime

For more info visit wiki site http://en.wikipedia.org/wiki/Alias_Gardelito

1961 contd....

Dentist on the Job

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http://www.ultraswank.net/thumb.php?...=940&zc=1&q=70

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Dentist on the Job is a 1961 British comedy film directed by C.M. Pennington-Richards. It was released in the US with the title Get on with it! It is the sequel to Dentist in the Chair. The film was co-written by Bob Monkhouse (who also appeared in the film) and Hazel Adair. Other actors appearing in the film include Kenneth Connor, Ronnie Stevens, Shirley Eaton, Richard Wattis and Charles Hawtrey.

Synopsis

Colonel Proudfoot of Proudfoot Industries tries to entice a couple of newly qualified dentists to advertise "Dreem", a revolutionary type of toothpaste, but he knows that if the dentists learn that they are part of an advertising campaign, they will be struck off, and the campaign will be a disaster.

Cast

Bob Monkhouse as David Cookson
Kenneth Connor as Sam Field
Ronnie Stevens as Brian Dexter
Shirley Eaton as Jill Venner
Eric Barker as Colonel J.J. Proudfoot / The Dean
Reginald Beckwith as Mr. Duff
Richard Wattis as Macreedy
Charles Hawtrey as Mr. Roper
Richard Caldicot as Prison Governor
Cyril Chamberlain as Director
David Horne as Admiral Southbound
Graham Stark as Sourfaced Man
Arthur Mullard (uncredited)

Directed by C.M. Pennington-Richards
Produced by Bertram Ostrer
Written by Bob Monkhouse
Hazel Adair

Music by Ken Jones
Cinematography Stephen Dade
Editing by Bill Lenny
Release date(s) December 29, 1961
Running time 88 min.
Country United Kingdom
Language English .....more at wiki

1961 CONTD...

El Cid

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http://ruthlesspeople.blog.at/files/2009/11/55936.jpg

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El Cid (1961) is a historical epic film, a romanticized story of the life of the Christian Castilian knight Don Rodrigo Diaz de Vivar, called "El Cid" who in the 11th century fought the North African Almoravides and ultimately contributed to the unification of Spain.
Made by Samuel Bronston Productions in association with Dear Film Production and released in the United States by Allied Artists, the film was directed by Anthony Mann and produced by Samuel Bronston with Jaime Prades and Michal Waszynski as associate producers. The screenplay was by Philip Yordan, Ben Barzman and Fredric M. Frank from a story by Frank. The music score was by Miklós Rózsa, the cinematography by Robert Krasker and the editing by Robert Lawrence.

....
Muslim General Ben Yusuf (Herbert Lom) of the Almoravid dynasty has summoned all the Emirs of Al-Andalus to North Africa and chastises them for their complacency in dealing with the infidels and reveals his plan for Islamic world domination. Later, while en route to his future bride Doña Jimena (Sophia Loren), Don Rodrigo (Charlton Heston) becomes involved in a battle against a Moorish army. Two of the Emirs, Al-Mu'tamin (Douglas Wilmer) of Zaragosa and Al-Kadir (Frank Thring) of Valencia, are captured, but Rodrigo releases them on condition that they never again attack King Ferdinand of Castile (Ralph Truman). The Emirs proclaim him ‘El Cid’ (the Castillian Spanish pronunciation of the Arabic for Lord: "Al Sidi") and swear allegiance to him. For this act he is accused of treason against the King by Jimena's father, Count Gormaz (Andrew Cruickshank). Rodrigo’s proud father, Don Diego (Michael Hordern), challenges Gormaz, and when Gormaz refuses to take back the challenge or the accusation of treason, Rodrigo kills him in a duel. Jimena swears revenge upon her father’s murderer. Rodrigo then takes up the mantle of the King’s champion in single combat for control of the city of Calahorra, which he wins. Rodrigo is then sent upon a mission to collect tribute from Moorish vassals of the Castillian crown, but Jimena, in league with Count Ordóñez (Raf Vallone), has plotted to have Rodrigo killed. El Cid and his men are ambushed but are saved by Al-Mu'tamin, to whom he had previously showed clemency. Returning home, his reward is the hand of Jimena in marriage. But the marriage is not consummated and she removes herself to a convent.
.......

Cast

Charlton Heston as El Cid
Sophia Loren as Doña Jimena
Herbert Lom as Ben Yusuf
Raf Vallone as García Ordóñez
Geneviève Page as Doña Urraca (sister of Alfonso VI)
John Fraser as Alfonso VI (King of Castile)
Douglas Wilmer as Al-Mu'tamin (Emir of Zaragosa)
Frank Thring, as Al-Kadir (Quadir) (Emir of Valencia)
Michael Hordern as Don Diego (father of Rodrigo)
Andrew Cruickshank as Count Gormaz
Gary Raymond as Prince Sancho, the 1st born of King Ferdinand
Ralph Truman as King Ferdinand
Massimo Serato as Fañez (nephew of Rodrigo)
Hurd Hatfield, as Arias
Tullio Carminati as Al-Jarifi
Fausto Tozzi as Dolfos

Directed by Anthony Mann
Produced by Samuel Bronston
Written by Story:
Fredric M. Frank
Screenplay:
Philip Yordan

Music by Miklós Rózsa
Cinematography Robert Krasker
Editing by Robert Lawrence
Distributed by Allied Artists (USA)
Rank Organisation (UK)
Dear Film (Italy)
Miramax Films (1993 re-release)
Release date(s) Italy:
October 24, 1961
United States:
December 14, 1961
Running time 184 min.
Country Italy
United States
Language English
.....more at wiki

1961 contd...

El mundo de los vampiros

http://www.santostreet.com/HorrorJLC/mundodelosvamp.jpg

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El mundo de los vampiros (The World of the Vampires) is a 1961 Mexican horror film, directed by Alfonso Corona Blake. The film is about a vampire, the Count Sergio Subotai, who seeks revenge against the descent from an enemy family. The hero is a musician played by Mauricio Garcés, who knows a piece of music that kills vampires.

Directed by Alfonso Corona Blake
Produced by Abel Salazar
Written by Alfredo Salazar (Adaptation)
Jesús Murcielago Velázquez (Story)
Starring Mauricio Garcés
Erna Martha Bauman
Silvia Fournier
Guillermo Murray
Music by Gustavo César Carrión
Release date(s) 1961
Running time 83 minutes
Country Mexico
Language Spanish .....source wiki....

1961 contd...

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The Honeymoon Machine

The Honeymoon Machine is a 1961 film starring Steve McQueen, Brigid Bazlen, Jim Hutton, Paula Prentiss, Jack Mullaney, and Dean Jagger, based on the 1959 Broadway play The Golden Fleecing by Lorenzo Semple Jr.. In the film, three men devise a plan to win at roulette with a United States Navy computer. The scheme works until an admiral ruins their plans.

Plot
Civilian scientist Jason Eldridge (Hutton) runs Magnetic Analyzer Computing Synchrotron (MACS), a vacuum-tube computer aboard the USS Elmira. He and his friend LT Ferguson Howard (McQueen) realize that, by using MACS to record a roulette table's spins over time, the computer can predict future results. Howard and LTJG Beauregard Gilliam (Mullaney) check into a Venice casino's hotel dressed as civilians with Eldridge, defying Admiral Fitch's (Jagger) order that naval officers on shore avoid the casino and wear uniforms. They plan to use signal lamps to communicate with a confederate manning MACS on the Elmira.
At the hotel dedicated bachelor Howard meets and romances Julie Fitch (Bazlen), the admiral's daughter. Eldridge reunites with former girlfriend and heiress Pam Dunstan (Prentiss), in Venice to marry another man. The betting system is very effective, and the three men accumulate hundreds of thousands of dollars in casino chips; the money gives Eldridge the confidence to propose to Dunstan. However, Admiral Fitch sees and investigates their signals; soon the Navy, the American and Soviet consulates, and Venice city authorities are on alert for a "revolution".
The gamblers get Signalman Burford Taylor (Weston), who finds their signal lamp, drunk to detain him, but Taylor escapes and reports to the admiral. Julie Fitch tells her father that she and Howard have "got to marry" each other to save him from court-martial. The Soviets accuse the Navy of using MACS to steal from the casino. To avoid an international incident Howard agrees to intentionally lose his last bet, but a riot breaks out between Soviets, Americans, and Italians in the casino over the chips. The movie ends with newlyweds Howard and Fitch celebrating their honeymoon in the hotel.

Cast
Steve McQueen - Lt. Ferguson 'Fergie' Howard
Brigid Bazlen - Julie Fitch
Jim Hutton - Jason Eldridge
Paula Prentiss - Pam Dunstan
Dean Jagger - Admiral Fitch
Jack Weston - Signalman Burford Taylor
Jack Mullaney - Lt. Beauregard 'Beau' Gilliam
Marcel Hillaire - Inspector of casino games
Ben Astar - Russian consul
William Lanteau - Tommy Dane
Ken Lynch - Capt. James Angle
Simon Scott - Capt. Harvey Adam

Directed by Richard Thorpe
Produced by Lawrence Weingarten
Written by Lorenzo Semple Jr. (play)
George Wells (screenplay)

Music by Leigh Harline
Cinematography Joseph LaShelle
Distributed by Metro-Goldwyn-Mayer
Release date(s) 1961
Running time 87 min.
Country United States
Language English Information source: the wiki

Trailer

After a brief coverage of 1961, now we move on to 1962 (the golden year for cinema all over the world)

Billy Budd

This is based on Herman Melville's novel on the same title.

http://manyebooks.org/data/soft_img/Billy_Budd.jpg

Film version was released in 1962 at the U.K.

AND IT'S MENTIONED THAT THE MUSIC IS BY ANTHONY HOPKINS. I don't know if it's the legendary actor by that name.

http://1.bp.blogspot.com/_6qgeWVXWLf...Billy+Budd.jpg

There was a talk during mid-60s that this film is the inspiration for the film "Ayirathil Oruvan" in Tamiz.

Let's see what wiki says on this film:

Billy Budd is a 1962 film produced, directed, and co-written by Peter Ustinov.[1] Adapted from the stage play version of Herman Melville's short novel Billy Budd, it starred Terence Stamp as Billy Budd, Robert Ryan as John Claggart, and Ustinov as Captain Vere. Stamp was nominated for an Academy Award for Best Supporting Actor, and received a Golden Globe Award for Most Promising Male Newcomer. The film was nominated for four BAFTAs.

Plot
In the year 1797, the British naval vessel HMS Avenger (changed from the book; in early drafts it was Indomitable, later ones, Bellipotent) impresses a crewman "according to the Rights of War" from the merchant ship The Rights Of Man. The new crewman, Billy Budd, is considered naive by his shipmates, and they attempt to indoctrinate him in their cynicism. But Budd's steadfast optimism is impenetrable, as when he is asked to critique the horrible gruel the crew must eat, he offers "It's hot. And there's a lot of it. I like everything about it except the flavor."
Though Budd manages to enchant the crew, his attempts at befriending the brutal master-at-arms, John Claggart, are unsuccessful. Claggart is cruel and unrepentant, a man who believes he must control the crew through vicious flogging; savaging them before they can prey on him. He reveals his mistrust for humanity when Budd confronts him about his discipline.
Budd: "It's wrong to flog a man. It's against his being a man."
Claggart: "The sea is calm you said. Peaceful. Calm above, but below a world of gliding monsters preying on their fellows. Murderers, all of them. Only the strongest teeth survive. And who's to tell me it's any different here on board, or yonder on dry land?"
When Claggart learns of a plot to end his life, he brings his charges to the Captain, Edwin Fairfax Vere. Although Claggart has no reason to implicate Budd in the conspiracy, Budd becomes a target because the crewman represents everything that Claggart despises: humility, innocence, and trust in humanity. Vere summons both Claggart and Budd to his cabin for a private confrontation. When Claggart makes his false charges that Budd is a conspirator, the accused is unable to find the words to respond and he strikes Claggart, killing him with a single blow.
Captain Vere assembles a court-martial. Vere and all the other officers on board are fully aware of Budd's simplicity and Claggart's evil, but the captain is also torn between his morality and duty to his station. Vere intervenes in the final stages of deliberations (which are in full support of Budd). He argues the defendant must be found guilty for even striking Claggart, Budd's superior, not to mention killing him. His arguments to pursue the letter of the law succeed, and Budd is convicted.
Condemned to be hanged from the ship's yardarm at dawn the following morning, Budd takes care to wear his good shoes. At Budd's final words, "God bless Captain Vere!", Vere crumbles, and Billy is subsequently hoisted up and hanged. At this point the crew is on the verge of mutiny over the incident, but Vere can only stare off into the distance, the picture of abdication, overtaken by his part in the death of innocence. Just as the crew is to be fired upon, a French vessel appears and commences cannon fire on the Avenger, and the crew eventually returns fire. HMS Avenger fends off the attack, but in the course of battle a piece of the ship's rigging falls on Vere, killing him in an act of poetic justice.

Cast

Terence Stamp as Billy Budd
Robert Ryan as John Claggart, Master d'Arms
Peter Ustinov as Edwin Fairfax Vere, Post Captain
Melvyn Douglas as The Dansker, sailmaker
Paul Rogers as Philip Seymour, 1st Lieutenant
John Neville as Julian Radcliffe, 2nd Lieutenant
David McCallum as Steven Wyatt, Gunnery Officer
Ronald Lewis as Enoch Jenkins, maintopman
Lee Montague as Squeak, Mr. Claggart's assistant
Thomas Heathcote as Alan Payne, maintopman
Ray McAnally as William O'Daniel, maintopman
Robert Brown as Talbot
John Meillon as Neil Kincaid, maintopman
Cyril Luckham as Hallam, Captain of Marines
Niall MacGinnis as Captain Nathaniel Graveling

Directed by Peter Ustinov
Produced by Peter Ustinov
Written by Peter Ustinov
Herman Melville (novel)

Music by Antony Hopkins
Cinematography Robert Krasker
Studio Anglo Allied
Harvest Films
Distributed by Allied Artists
Release date(s) 1962
Running time 94 minutes
Country United Kingdom
Language English Information source: wiki

To watch a clip:

AND NOW ARRIVES THE MAN WITH THE GOLDEN GUN .... JAMES BOND 007 ....

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THE FIRST IN THE SERIES IS Dr. No.

Before going to the first film, a brief write-up quoted from the wiki on James Bond Filmography.

James Bond in film

The James Bond film series is a British series of motion pictures based on the fictional character of MI6 agent James Bond (code designation "007"), who originally appeared in a series of books by Ian Fleming. Earlier films were based on Fleming's novels and short stories, followed later by films with original storylines. It is the longest continually-running film series in history, having been in ongoing production from 1962 to the present (with a six-year hiatus between 1989 and 1995).[1] In that time Eon Productions has produced 22 films, at an average of about one every two years, usually produced at Pinewood Studios. The series has grossed just over US$5 billion to date, making it the second-highest-grossing film series of all-time (behind Harry Potter).[2] Six actors have portrayed 007 in the Eon series, with the Connery films largely setting the style and mood of the series, and Roger Moore starring in the most films.
Albert R. Broccoli and Harry Saltzman co-produced the Eon films until 1975, when Broccoli became the sole producer. Since 1995, Broccoli's daughter Barbara and stepson Michael G. Wilson have co-produced them. Broccoli's (and until 1975, Saltzman's) family company, Danjaq, has held ownership of the series through Eon, and maintained co-ownership with United Artists since the mid-1970s. From the release of Dr. No (1962) up to For Your Eyes Only (1981) the films were distributed solely by UA. When Metro-Goldwyn-Mayer bought UA in 1981, MGM/UA Entertainment Co. was formed and distributed the films until 1995. MGM solely distributed three films from 1997 to 2002 after UA retired as a mainstream studio. From 2006 to present MGM and Columbia Pictures have co-distributed the franchise, following the 2005 aquisition of MGM by a consortium led by Columbia's parent company, Sony Pictures Entertainment. In November 2010, MGM filed for bankruptcy. Following MGM's emergence from bankruptcy, Columbia has been co-production partner of the series with Danjaq.
Independently of the Eon series, there have been three additional film or TV productions with the character of James Bond – a satirical film spoof based on Casino Royale (1967), a remake of Thunderball entitled Never Say Never Again starring Sean Connery (1983) and a pre-Eon 1954 American television adaptation of Casino Royale.

Development

[edit]First Bond film
Previous attempts to adapt the James Bond novels for screen resulted in a 1954 television episode of Climax!, based on the first novel, Casino Royale, and starring American actor Barry Nelson as "Jimmy Bond". Ian Fleming desired to go one step further and approached producer Sir Alexander Korda to make a film adaptation of either Live and Let Die or Moonraker. Although Korda was initially interested, he later withdrew.[3] On 1 October 1959, it was announced that Fleming would write an original film script featuring Bond for producer Kevin McClory. Jack Whittingham also worked on the script, culminating in a screenplay entitled James Bond, Secret Agent.[4] However, Alfred Hitchcock and Richard Burton turned down roles as director and star, respectively.[5] McClory was unable to secure the financing for the film, and the deal fell through. Fleming used the story for his novel Thunderball (1961).[6]
In 1959, producer Albert R. Broccoli expressed interest in adapting the Bond novels, but his colleague Irving Allen was unenthusiastic. In 1961, Broccoli, now partnered with Harry Saltzman, purchased the film rights to all the Bond novels (except Casino Royale) from Fleming.[7] However, numerous Hollywood film studios did not want to fund the films, finding it "too British" or "too blatantly sexual".[8] The producers wanted US$1 million to either adapt Thunderball or Dr. No, and reached a deal with United Artists in July 1961. The two producers set up Eon Productions and began production of Dr. No

James Bond Films - Directors

Terence Young
Guy Hamilton
Lewis Gilbert
Peter R. Hunt
John Glen
Martin Campbell
Roger Spottiswoode
Michael Apted
Lee Tamahori
Marc Forster
Sam Mendes

Producers

Albert R. Broccoli
Harry Saltzman
Michael G. Wilson
Barbara Broccoli
Kevin McClory

Screenplay writers

Joanna Harwood
Richard Maibaum
Tom Mankiewicz
Christopher Wood
Michael G. Wilson
Neal Purvis
Robert Wade
Bruce Feirstein
Paul Haggis
Others

Music Directors

Monty Norman
John Barry
George Martin
David Arnold
Don Black

Actors

Sean Connery
George Lazenby
Roger Moore
Timothy Dalton
Pierce Brosnan
Daniel Craig
Barry Nelson (non-Eon)
David Niven (non-Eon)
Information source... wiki

....tbc...

James Bond ... contd...

Actors

Sean Connery - Dr. No. - 1962 to Diamonds are Forever 1971
George Lazenby - On Her Majesty's Secret Service - 1969
Roger Moore - Live and Let Die 1973 to A View to a Kill - 1985
Timothy Dalton - The Living Daylights 1987 to Licence to Kill 1989
Pierce Brosnon - Golden Eye 1995 - Die Another Day 2002
Daniel Craig - Casino Royale 2006 to Quantum of Solace 2008

The first Actor

Sean Connery

http://upload.wikimedia.org/wikipedi..._1980_Crop.jpg

A contest was set up to 'find James Bond', and six finalists were chosen and screen-tested by Broccoli, Saltzman, and Fleming. The winner of the contest was a 28-year-old model named Peter Anthony, who, according to Broccoli, had a Gregory Peck quality, but proved unable to cope with the role.[10] The producers turned to Sean Connery, who ended up playing Bond for five consecutive films (and more subsequently). According to one story, Connery had been suggested by Polish director Ben Fisz, a friend of Saltzman. Saltzman viewed Connery in On the Fiddle (also called "Operation Snafu"), the actor's eleventh film. By other accounts, Broccoli first saw Connery in a screening of Darby O'Gill and the Little People (1959) ... from wiki...

...tbc...

The First Film

Dr. No.

http://www.filmwerk.co.uk/wp-content..._no_poster.jpg

Dr. No is a 1962 spy film, starring Sean Connery; it is the first James Bond film. Based on the 1958 Ian Fleming novel of the same name, it was adapted by Richard Maibaum, Johanna Harwood, and Berkely Mather and was directed by Terence Young. The film was produced by Harry Saltzman and Albert R. Broccoli, a partnership that would continue until 1975.
In the film, James Bond is sent to Jamaica on an investigation into the death of a fellow British agent. The murder trail leads him to the underground base of Dr. Julius No, who is plotting to disrupt an early American manned space launch with a radio beam weapon. Although the first of the Bond books to be made into a film, Dr. No was not the first of Fleming's novels, Casino Royale being the debut for the character; however, the film makes a few references to threads from earlier books.
Dr. No was produced with a low budget, but was a financial success. While critical reaction at release was mixed, over time the film received a reputation as one of the franchise's best instalments. The film was the first of a successful series of 22 Bond films; a 23rd is planned for release in 2012. Dr. No also launched a successful genre of "secret agent" films that flourished in the 1960s. The film also spawned a spin-off comic book and soundtrack album as part of its promotion and marketing.
Many of the iconic aspects of a typical James Bond film were established in Dr. No: the film begins with an introduction to the character through the view of a gun barrel and a highly stylised main title sequence, both created by Maurice Binder. Production designer Ken Adam established an elaborate visual style that is one of the hallmarks of the Bond film series.

http://upload.wikimedia.org/wikipedi...DrNoposter.jpg

Directed by Terence Young
Produced by Harry Saltzman
Albert R. Broccoli
Written by Ian Fleming
Screenplay by Richard Maibaum
Johanna Harwood
Berkely Mather
Starring Sean Connery
Joseph Wiseman
Ursula Andress
Jack Lord
John Kitzmiller
Music by Monty Norman
Cinematography Ted Moore
Editing by Peter R. Hunt
Studio Eon Productions
Distributed by United Artists
Release date(s) 5 October 1962
Running time 109 minutes
Country United Kingdom
Dr. No. TRAILER

.... 1962 continues....

Amphibian Man

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http://photoload.ru/data/e8/8b/62/e8...6500fbf813.jpg

Amphibian Man (Russian: Человек-амфибия, translit. Chelovek-amfibiya) is a 1962 Soviet science fiction romance film starring Vladimir Korenev and Directed by Vladimir Chebotaryov and Gennadi Kazansky.
It is an almost fable-like story based upon the eponymous novel by Alexander Beliaev. It focuses on a boy named Ichtyandr who was surgically altered to survive under the sea. Unlike traditional science fiction movies of the time the film focuses much more on the concept of love won and lost. It was given the name of Tarzan des Mers before the estate of Edgar Rice Burroughs took exception.[1]
The film was the leader of Soviet distribution in 1962 (65.5 million viewers). It is little-known in the West, but has become a cult classic.
Plot

The story is set in a seaside port, largely among a community of pearl fishers. The protagonist is the son of a doctor/scientist who was sometime in the past forced to save his son's life by implanting him with gills. Thus he is able to live under water, but must keep his secret from the world. The conflict arises from his falling in love with a pearl-fisher's beautiful daughter. His secret is discovered and the girl's stern father attempts to exploit Ichtyandr for his ability. Due to being kept caged under water, he loses the ability to live in the open air, and must now permanently live in the sea. Although set free, the lovers are permanently parted from each other.
Although ostensibly a lost-love-tragedy like Romeo and Juliet, the film has a significant focus on greed and commercial exploitation (of the pearl-greedy fishermen), possibly under the influence of Socialist Realism.
Directed by Vladimir Chebotaryov
Gennadi Kazansky
Written by Alexander Beliaev (novel)
Akiba Golburt
Aleksei Kapler
Aleksandr Ksenofontov

cast:
Starring Vladimir Korenev
Anastasiya Vertinskaya

Music by Andrei Petrov
Cinematography Eduard Rozovsky
Studio Lenfilm
Distributed by BijouFlix Releasing
National Telefilm Associates (NTA) Inc.
Release date(s) December 19, 1962
Running time 82 min.
Country Soviet Union
Language Russian .....source wiki......



THIS FILM WAS SCREENED AT THE BALAR ARANGAM (Later remodelled and christened as Kalaivanar Arangam, now demolished) at Chennai, as a children's film and ticket rate was 6 paise for children and 12 paise for adults. I was fortunate to see the movie at 6 paise since I was a school boy and after almost 50 years I am now seeing this film as a clip along with you.